Writing Challenge - Day 1 - Let the Games Begin

Today is day one of the writing challenge I issued to myself for the month of July. Today I present a review of an audio book I recently finished.

Audio book review: Salmon of Doubt: Hitchhiking One Last Time by Douglas Adams

The Salmon of Doubt was released in May of 2002 one year after Douglas Adam’s passing. It is a collection of interviews, short stories, articles, and speeches of/by Douglas as well as the beginnings of Douglas’ next book. Those elevenish chapters are presented as the next Dirk Gently book. However, as many of the interviews point out, Douglas wasn’t sure what the finished product was going to be. He did mention that some of the ideas felt more like a Hitchhiker’s Guide book. He was looking in that direction as he felt that he ended that series on a down note and wanted it to really go out on a high note.

The audio book is narrated by Simon Jones who is probably best known as playing Arthur Dent in both the entire Hitchhiker’s Guide radio series and the television series. He also had a cameo as the holographic message from the planet Magrathea to the spaceship Heart of Gold in the Hitchhiker’s Guide movie. His voice is forever associated with Douglas Adams' in my mind and it is fitting that he would narrate this final chapter in a wonderful career.

The audio book is a fascinating listen. Given the number of interviews there is certainly going to be repeated information, but they string them out far enough between other bits that it doesn’t become too redundant. Putting aside the novella for a minute, there are two pieces that really stuck out in this book. The first was his interview with an magazine written by and for athiests. The second is the transcription of a speech Douglas gave to a group of scientists at Cambridge discussing, or more accurately debating himself, about whether or not there is an artificial god.

I find it interesting that whether or not I agree with him, Douglas provides a comprehensive argument in his speech that is littered with insightful humor. That same personality shines through as he answers the interviewers questions. He answers are never demeaning to those he disagrees with. I find this to be in sharp contrast to Richard Dawkins, whom Douglas counted as a friend, and his seeming arrogance when comes to espousing similar views.

This is not totally unexpected though. In all of his fiction books Douglas hit the right notes with intelligent insight, humor, and humility. It only makes sense that those qualities were in play in all of Douglas' life.

Beyond those pieces the Dirk Gently novella provides a satisfying, if brief, end to a wonderful career. Unfortunately the story gets as far as setting up the plot, the characters, and then abruptly ends. It had the potential to be a great Dirk Gently book based on what he had written. Above the Title Productions, who have produced three Hitchhiker’s radio series and two Dirk Gently radio series for BBC4, has been commissioned to produce a radio series based on this incomplete script. Hopefully it will live up to the foundation that has been provided.

If you are a fan of Douglas Adams this is worth picking up. If you aren’t, start with the Hitchhiker’s Guide to the Galaxy and work your way here. And don’t forget your towel.

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Random quote overheard today: "Is that Cobra Commander?" --some guy on a call in a cubicle near mine.

Music Review: Matthew Sweet "Sunshine Lies"

Much has been written about Matthew Sweet. After two critically acclaimed, but poorly selling albums he broke big in 1990 with the album "Girlfriend." The alternative pop hit spawned two top-25 singles on the Modern Rock Chart and two anime filled music videos. The following albums, "Altered Beast" and "100% Fun," widely divided the critics. Some felt the music was uneven, others felt it was a logical extension of what he started with Girlfriend. The following years saw a few more releases that served to build his fan base. He collaborated with Shawn Mullins and Pete Droge to form the super group the Thorns. He cameoed in the Austin Powers movies as part of the band Ming Tea with Mike Meyers and Susanna Hoffs. In 2006 he released an album of classic rock covers with Susanna Hoffs entitled "Under the Covers Vol. 1."

Now he is poised to release his first new solo album since 2004 and his first for the Shout! Factory label. "Sunshine Lies" is due out on August 26th, 2008. If you have followed Mr. Sweet's career to this point you will find this album to be a culmination of his talent. If this is a first time experience for you, get ready for a treat.

This album is his most consistent release since "Girlfriend." The songs, even the ballads, are catchy and the lyrics are witty. The album simultaneously starts a new chapter in his career while paying homage to his past career. "Time Machine" kicks the album off with a pop fullness while the lyrics paint a wistful picture. "Room to Rock" speeds out of the gate in a manner similar to "Dinosaur Act" from "Altered Beast." The third track, "Byrdgirl," sounds straight off of "Under the Covers Vol. 1" with a late 60's/early 70's rock feel. He then punches out on the fourth track, "Flying," with a classic rock feel and gravely vocals. The song has a real Neil Young vibe and it stayed in my head long after the album had ended. Track five is the deceptively smooth "Feel Fear." Track six, "Let's Love," is the other real standout track on the album. Again he invokes a similar style to Neil Young on the verses, but the chorus leans more towards the Who with its rocking rhythm and lead guitar work. The title track "Sunshine Lies" is up next. Again Sweet, along with his wife and Susanna Hoffs, sings a laid-back, psychedelic track that could have been pulled straight out of the 60's. Track seven is another slow ballad entitled "Pleasure is Mine." If I had to pick a weak track on the album, it would be this one. It isn't necesarily a bad track, but on a disc of memorable tracks this one doesn't stick out. Track eight, "Daisychain," again showcases Sweet's homage to the music that influenced him. It has a 60's rock feel that would not feel out of place on a Beach Boy's album. Track nine brings back the rock with "Sunrise Eyes." This track points back to his success in the 90's, but has an edge of experience that could only come with time. Track ten is the ballad "Around You Now." I couldn't help but hear echoes of "Nothing Lasts" from "Girlfriend" when I listened this track. They both share themes of inevitable change. Track eleven, "Burn Through Love," is the second weakest track on the album. Again the track isn't bad, it just comes off as mediocre alterna-pop compared to other tracks. The album ends with "Back of My Mind." The track starts off as a slow ballad that builds into a powerful chorus only to drop off into a slow ballad again. It is the perfect cap for an album that deftly rode the line between 90's alternative, 60's psychedelic, and flat out rock and roll.

All in all this is the best Matthew Sweet in some time and well worth the wait. Next week I'll be reviewing a couple of new releases from Ramseur Records.

Review: The Photographic "Pictures of a Changing World"

On March 11th, 2008 The Photographic released their debut album "Pictures of a Changing World." On Tuesday July 9th, 2008 I was fortunate enough to hear the track "Bridge Runs" for the first time on a local radio station. That day I sought out and purchased this album and it has remained in heavy rotation ever since. The Photographic are Jamey See Tai and Chad Blevins from Louisville, Kentucky. The duo met in 2001 through a mutual friend, started jamming together in 2002, and formed The Photographic in 2003. Originally Jamey played guitar while Chad played drums. Over time their sound has evolved to include synthesizers and guitar loops as well. The sound is so layered and full that it is hard to believe there are only two people in the band. The band already has an impressive resume having shared the stage with, among others, The Apples in Stereo, Hawthorne Heights, and VHS or Beta. They have also opened for Unwed Sailor and The Naysayer.

On first listen it would be easy to compare this album to the later work of Explosions in the Sky. However on repeated listening one discovers the little details in the sound that sets this band apart from other melodic rock bands.

The first track, "Inception", slowly meanders along and fades right into the second track, "Millie Rode to Heaven on the Back of an Orca." In this track it sounds as if a guitar is used to mimic whale sounds. It didn't stand out on first listen. I happened to be passively listening through headphones and I just picked on it. From there the album flows on. Drum beats and guitar loops are expertly merged with guitar melodies. From the drawn out synthesizer in "Lost in a Daydream" to crunchy guitar loop that fades to cleaner version on "Night Noise" the album seamlessly melds together for just under an hour taking the listener on a sonic journey. For me the stand out is a ten minute epic titled "We Were Fed Poisoned Bread," a breathtakingly complete story in melody alone. The album is a soundtrack that is waiting for an accompanying movie.

As good as the recorded music is I have heard it plays even better live. Jamey's brother Jessie does a video projection for the entire show that is supposed to really draw the audience into the music. There is enhanced content on the disc that gives a taste of the full experience and adds an additional layer to the music.

These songs will remain in my rotation for quite some time. This is a band that shows great promise and potential. This disc will definitely appeal to fans of melodic rock, but I would recommend that everyone give it a listen. The music is that good and I hope we will be hearing more from The Photographic in the years to come.


"Pictures of a Changing World" was released through Galaxia records and is available through Amazon, ITunes, and Emusic. My recommendation is to buy a copy today.

Next week I'll have a review of Matthew Sweet's new solo album, "Sunshine Lies."

Day 3 - Oh the things you'll learn

I don't know how long I've been using Blogger, but I'm just now figuring out how to utilize the 'Title' box. Boy I'm getting quick in my old age.

Now for a new feature that I will hopefully make a regular feature.

Album/CD you need to listen to #1

The Avett Brothers - 'Emotionalism'

Alt-country, grunge-grass, and punk-country are all adjectives often used to try and describe the Avett Brothers. Seth and Scott Avett seamlessly combine americana instrumentation and harmonies with a punk spirit that takes the listener on one heck of a ride. 'Emotionalism' is my first exposure to the Avetts and I can't stop listening.

The opening track, 'Die Die Die,' with its upbeat banjo and tight harmonies are just the tip of the iceberg. Forewarning the album is all over the board, but I find that to be part of its charm. When they aren't throwing down laid back country, 'Paranoia in B-Flat Major,' 'I Would Be Sad,' and 'Go To Sleep,' they mix it up with some ballads, 'The Ballad of Love & Hate,' 'Shame,' and 'Hand-Me-Down-Tune.' Throw into that mix some upbeat bluegrashish music in 'Die Die Die,' 'Will You Return,' and 'Pretty Girl from San Diego.'

Even within songs they throw some curve balls. 'Salina' starts out slow, changes up to an up tempo country piece, and then ends on another slow note. 'Pretty Girl from Chile' makes at least two, if not three style changes throughout.

This isn't a band or an album that can be easily categorized. Many reviewers are quick to point out this is their most polished album. I've only heard two of their other albums. I'm not sure I would call those albums unpolished as much as I would point out each album has its own vibe built around some similar, basic themes.

All in all it isn't an album for everyone, but it is an album you should listen to at least once.